CAMILLE HENROT

Camille Henrot’s latest film, Saturday, delves deep into what philosopher Ernst Bloch called “the principle of hope”, which structures our aspirations for immediate, private utopias as well as for radical change. The film focuses on the Seventh-Day Adventist (SDA) Church, an evangelical millenarian Christian denomination that celebrates the Sabbath and practices baptism rituals on Saturday. Shot mostly in 3D, the film combines images of baptism rituals recorded by Henrot at SDA Church with civil protests, neurological testing, cosmetic surgery, endoscopic exams and staged food television commercials, while headlines scrolling the bottom of the screen relate recurring bad news. The SDA obsession with diet and digital communication act as a mirror of modern capitalist society’s expectation for a better life, while echoing James Joyce’s idea of the “digestive value of religion”. This work will be installed at the Faena Forum. Taking inspiration from subjects as varied as literature, mythology, cinema, anthropology, evolutionary biology, religion and the banality of everyday life, Henrot's diverse practice combines film, drawing, and sculpture.

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Camille Henrot lives and works in New York City. Her multidisciplinary practice moves seamlessly between film, drawing, sculpture and installation. Henrot references literature, mythology, cinema, and anthropology to reconsider the typologies of objects and established systems of knowledge. A 2013 fellowship at the Smithsonian resulted in the film Grosse Fatigue, for which she was awarded the Silver Lion at the 55th Venice Biennale. She is the recipient of the 2014 Nam June Paik Award and the 2015 Edvard Munch Award. In 2017, Henrot was given carte blanche at Palais de Tokyo in Paris, where she presented the major exhibition “Days Are Dogs”. Henrot has participated in the Lyon, Berlin and Sydney Biennials and exhibited at Schinkel Pavillon, Kunsthalle Wien and the New Museum. Upcoming solo exhibitions include Tokyo Opera City Art Gallery, Tokyo, Japan (2019) and the National Gallery of Victoria, Melbourne, Australia (2020).